Does Enclosure in Resin Constitute Preservation?

Resin retains different things in Interdependence and Silence. Form, matter and use define the scope of an account of preservation.

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Fixed form and retained matter

In Interdependence, resin fixes two exchanged wooden halves while their curves define its inner contours. The structure retains a rearranged form, rather than preserving the earlier daruma unchanged. An account of preservation needs to specify what state is being retained.[1]

In Silence, reels and unwound tape remain within resin. The medium persists as matter, but removal and playback as it is do not remain available. Transparency does not establish that the sound is preserved.[2]

Comparison of fixing and enclosure; not a measurement of long-term durability.
AspectInterdependenceSilence
FormFixes the rearranged halvesEncloses the medium in daruma-shaped resin
Visual accessThe wood–resin boundary remains visibleReels and tape remain visible
Earlier useThe original arrangement is not retainedPlayback as it is is prevented
Comparison of fixing and enclosure; not a measurement of long-term durability.

Preserving sound and preserving its carrier

IASA’s preservation guidance addresses retaining carriers in usable condition and transferring information to other carriers or systems, because both media and replay equipment have limited lives. The persistence of an object alone does not secure future access to its information.[3]

This distinction supports discussing Silence as a work that retains a medium while obstructing its use, rather than as a method for archiving recordings. In Interdependence, the same class of material constitutes a different form. Shared materials do not make their targets or purposes identical.

Silence / 沈黙 (2024)
Silence / 沈黙 (2024)

Recording the work’s condition

Condition records need to address different elements in each work, such as the positions of wooden halves, interfaces with resin, and the tape within the enclosure. The category resin work does not determine which changes affect its form or the meaning of its use. Material identification needs to be paired with a description of the state being maintained.

Choosing the state to preserve

Applying the goal of retaining an “original form” uniformly would make the daruma before rearrangement the reference state for Interdependence. Preserving a work need not mean preserving its materials’ earlier appearance. Taking the resin-fixed arrangement as the reference directs attention to the orientation of curves and positions of the wooden halves.

In Silence, the obstruction of ordinary playback belongs to the work’s composition. Restoring that function and maintaining the work therefore cannot be assumed to be the same intervention. Material survival, usability and continuity of the made form give preservation distinct aims.

Sources

  1. IASA-TC 03, version 4 (2017), section 5, “Safeguarding the information”

    IASAPublication or external source

Reference